Universal Music Dominican Republic is an American-Dominican record label that operates as a division of Universal Music Group. It was founded in 2021 in La Capital, Dominican Republic by singer-songwriter Janix Marie. Mendez (Janix Mendez). It’s stablished to provide services to unsigned & signed Artists around the globe primarily on the main island it’s based on. With more than 30+ artists signed to UMG Latin, Universal Music Dominican Republic is merging them all to their system.
How It Started:
In 2017, Mendez had been talking about stablishing a music group business that could provide tools for artists that are in the needs of help, those mentioned she quoted “LGBTQ rights would be added to the business, people of color would be always welcomed, people with disabilities would always stay on top-lists.”
As a result to start, Mendez started developing her own music career distributing her music through-out small music businesses such as DistroKid, Ditto Music, & United Masters. Her #1 successful single “Isaiah” made her acknowledge the hard work she has done to get to where she is now and decided to finally open up what it’s now to be called “Universal Music Dominican Republic” abbreviated as “UMGRD” or “UMRD”. Her biggest inspiration has been “Lady Gaga, Madonna & Ariana Grande”.
Who is Janix Mendez?:
Janix Marie Mendez more commonly referred to as Janix Mendez is a Dominican singer, songwriter, producer, LGBTQ+ activist & advocate, and model. She was born in San Pedro de Macoris, Dominican Republic, shifting herself to New York with her family to continue her life’s journey.
Kay Holla is a Hip Hop artist worth looking out for rising artist in 2021. Kay Holla started out 2021 with first promo single “Incarcerated Scarfaces” (Freestyle) a classic by Raekwon released on January 12, 2021 to pay homage to one of his music influencers. His first official single “Chain Glo” (Produced by Trench Lord B & Engineered by Official Stichel) released on February 5, 2021 shows artistry and talent that can get stuck in your head, exactly where you want it to be. Kay Holla second official single released March 15, 2021 entitle “Secure The Bag” (Produced by Sixx Digits & Engineered by Official Stichel). Both singles on Spotify and Apple Music streams raised to over 20k+ in 35+ countries. Kay Holla’s music definitely offers unique flow, a catchy vibe, and a banger that can be played in all enjoyment purposes.
Kay Holla was born in East New York, Brooklyn, New York. He started rapping at the age of 9. Kay Holla was inspired with music at an early age, an escape from reality. Inspired by Raekwon, Cassidy, Ransom, Stack Bundles, Freck Billionaire, Styles P, Max B, Nate Dogg, Chinx Drugz, Don Q, and Cam’ron. Kay Holla vision to start in the entertainment industry materialized after he enter several showcases throughout New York City and won a showcase to perform for New York dj DJ Self “Prince of NY”.
Kay Holla’s music story will provide the listeners of his life obstacles he had to overcome and the way he has been able to make it though and continue to follow his dream.
We’re thrilled to have you for an interview, Robert! How has 2021 been treating you so far, all things considered?
Okay, you asked for it. How I’m being treated isn’t the question. How I respond to how I’m being treated, that’s the question. That’s what I can control.
I do a lot of work with at-risk teens. I was eavesdropping when one boy was teaching another boy how to write a love-letter to a girl, “You start off with the title of a song. Get it? You don’t have the words to say what you feel, but the song does. She’ll hear the song in her head while she reads your letter.”
So I am going to answer your question with some song titles, kind of the 2021 soundtrack of my mind.
HOW INSENSITIVE, a bossa nova Brazilian thing by Jobim. I’ve heard two versions, one by Petula Clark and the other by Tony Bennett. “How unmoved and cold I must have seemed…Did I just turn and stare in icy silence?” Or NO FEELINGS by The Sex Pistols. That’s me, blocking out all the pain and going straight ahead.
Or I AIN’T EVER SATISFIED by Steve Earle. Or THE WIND by Cat Stevens. DIAMONDS AND RUST by Joan Baez. PROMISES PROMISES by Generation X. WHEN I’M GONE by Phil Ochs. That’s me vowing to make the most of the time I have.
There’s a line by Ray Wylie Hubbard, “The days I keep my gratitude higher than my expectations, I have really good days.” MOTHER BLUES is the song.
I’m like a wild salmon. I just keep swimming against the current no matter what.
2. Your album “Undesirables and Anarchists” has received a lot of press and airplay. Are you surprised that your music has been so well received?
Yikes, I’m supposed to be some kind of writer, but for some reason I have a compulsion to answer with quotes and song-titles.
This reference might be a little obscure, but when MMA fighter Nate Diaz upset Conor McGregor, they gave him the mic in the center of the octagon, and he said, “I’m not surprised, mother-effers.” Then Joe Rogan pulls the mic back, “You can’t talk like that on this network.”
Before the fight, Diaz called out McGregor with something like, “You’re taking everything I worked for, mother-effer!”
Well, nobody had taken anything I’d worked for, but when I started The Little Wretches, I expected to be recognized and appreciated. Let me in. Move over. I’m here now.
And instead, I had to watch other people walk through the door while security at the gate seemed to have orders to prevent my entry. So now I’ve got a foot in the door.
But the thing is with The Little Wretches, we have a vast catalogue, wide-ranging. Acoustic stuff. Punk-ish stuff. Beatle-esque stuff. Spoken-word. Some people might hear UNDESIRABLES & ANARCHISTS and later be disappointed when they discover that the rest of our music sounds different. But I’m banking on the idea that a good number of people will discover the catalogue and end up getting it all.
3. Do you feel like people “get” what you’re trying to do with your music?
This is a feel-good culture. People use music as a mood-regulator, like a cigarette, a cup of coffee or a cocktail. Advertisers pair images of their products with songs. Retail outlets have songs playing in the background as you shop. It’s all about feeling good.
In many ways, the entertainment business is like a drug-pusher, “I got ups, downs, loosies, hallucinogenics, organics, anything you need.” And we who create the music are like chemists. We make the stuff. How it is used is beyond our control. Dylan songs once associated with the Civil Rights Movement are now being used to sell cars.
What’s the key to a hit song? A HOOK! I understand that the way to guarantee repeat-business is to get the customer hooked.
But I ain’t a dealer, I’m a healer. I make medicine that can heal you or hurt you. The kind of medicine I make is not for everybody. It may have side-effects.
People like me, the things that made us who we are, we’re not supposed to talk about in public. Our experiences are supposed to be kept to ourselves. Nobody wants to see our scars. But I’ve got some stories to tell, and many yet to be told, and I tell them through song.
When it comes to feel-good music as the soundtrack of commerce, my stuff is no better or worse than anybody else’s. But that’s not my game.
Most people are here to get high. I’m here to save lives. Some people “get it,” and they’re the ones that matter.
4. Growing up, who did you listen to? Do you still listen to those artists, or have your tastes changed as you’ve gotten older?
I mentioned earlier that I work with at-risk kids. The white kids’re wearing tee-shirts with DARK SIDE OF THE MOON, The Ramones, The Doors, and they’re listening to their parents and grandparents’ music collections. Led Zeppelin. Jimi Hendrix.
That’s how it was for me—my mom’s record collection and television shows like HEE HAW, THE SMOTHERS BROTHERS, JOHNNY CASH, GLEN CAMPBELL, MIDNIGHT SPECIAL, DON KIRSHNER’S ROCK CONCERT.
My own collection started out with 7” singles—The Hollies, The Beach Boys, The Doors. When it came to LPs, I started with The Beatles. And before I moved on to other artists, I had every album The Beatles had ever made. Then it was The Who. The Kinks. The Velvet Underground. The Rolling Stones. The Doors. Then I went back to study Johnny Cash, Roy Clark and Buck Owens. Tom Jones. Elvis Presley. Jerry Lee Lewis. All the music from those old shows.
What do they say, “Diamonds are forever.”
Of course, Bob Dylan is Bob Dylan. For those of us who take writing seriously, the first time you hear HIGHWAY 61 REVISITED or BLONDE ON BLONDE, your life changes.
5. You’re originally from Pittsburgh. Tell us about Pittsburgh and also, where you live now?
The Pittsburgh I grew up in doesn’t exist anymore.
My grandparents came to Pittsburgh from Europe in the hope of becoming entrepreneurs. Back home, they were under the thumb of the Hungarians, then Hitler, then Stalin. Thank God they got on that boat. Here in the USA, of course, they had the Great Depression, but at least they didn’t have tanks and storm-troopers rolling down the streets.
My parents grew up in the industrial heyday of the steel mills, smoke so thick your clothes would be covered with soot when you took them off the clothesline. My dad grew up on the border of what was called SoHo and The Hill District, a legendary Black community. My dad had a Mississippi-accent. He grew up around so many people who’d migrated from the South that he picked up their dialect. My dad was born in the same year and grew up in the same neighborhood as Andy Warhol, and I used to live across the trolley tracks from where Andy Warhol was buried.
Now, I go back to Pittsburgh, and everybody is from somewhere else. We natives are like wildlife, “Oh look, there’s a flock of natives walking down the street. Don’t they talk funny? Aren’t they scary? What brutes!”
My friends in Pittsburgh think I live in Philadelphia, but I live along the Schuylkill River and Perkiomen Creek valleys, places that used to be vacation-destinations for rich people from Philly. Woods. Horse farms. Corn fields. Bean fields. More woods. Small towns and villages.
And bit by bit, those horse farms and corn fields are turning into housing developments.
I’m told people in South Philly are really hard core, but compared to what I know from Pittsburgh, well, there is no comparison.
Let me give you an example.
In Philly, they’re over-the-top with opening and holding doors for each other. That’s nice, right? Courteous. Polite. Let me get the door for you! No, let ME get the door for YOU.
By contrast, and maybe this is just me and I’m some kind of weirdo, but in old Pittsburgh, if you tried to hold the door for me, I’d take it as an insult. We hold doors for ladies and old people. What you tryna say? Who are YOU to hold a door for ME? You tryna say I’m weak? You tryna say I’m crippled? You tryna say I can’t hold the door for myself?
Get it?
My generation of Pittsburghers were all about self-reliance, independence, take care of yourself, your family, and your neighborhood. We don’t want nobody’s help. We don’t want nobody’s handout.
Like I said, the Pittsburgh I grew up in doesn’t exist anymore.
6. What is one song that you never change when it comes on?
There are a lot of songs I would never change when they come on. I read somewhere that Mickey Rourke, the actor, had it set so that every time he got in his limo, Bob Dylan’s KNOCKING ON HEAVEN’S DOOR would play.
My, that’s a tough question. One song? I’d have to go with SWEET JANE by The Velvet Underground, the original album version from LOADED. I loved that song for years with only the slightest ideas as to what the lyrics were alluding to. For me, that song is a celebration of the absolute outsiders who find a way to carve a niche for a little bit of love and joy, right smack dab in the middle of a world that hates them.
7. Are you involved in any charitable works? If so, what?
Touchy subject. Charitable works aren’t really charity if they’re done in public. But I’ll tell you some issues that I care about, though even that is hard for me without my getting on a soapbox.
I was talking earlier about feel-good culture. I think a lot of people engage in charitable work because it makes them feel better about themselves. I ask myself, what are the issues that could present a cornerstone for empowerment? How can I help someone to the extent that they don’t need help anymore?
For me, the cornerstone issues involve LITERACY and MINISTRY. A lot of people don’t know this, but public education in the American colonies started in New England among Puritans who needed every person to be able to read and study The Bible.
In the past, I was very involved in political activism. In college, I was involved in an organization called the ANTI-IMPERIALIST STUDENT UNION. In truth, though, we were Marxists agitating around international and domestic “hot button” issues that would allow us to demonstrate that “socialist revolution is the only solution.” I am now hypersensitive to manipulation, when people say they want one thing but are deceptively operating under an agenda that wants something else.
Over time, I came to accept that everywhere the state has taken over the economy, rights and liberties are eroded to the point of nonexistence. Ultimately, John Lennon’s utopian IMAGINE turns into a dehumanizing reality.
So I’m looking for ways to HUMANIZE, and I’m crazy enough to believe that people are made in the image of God. So in order to understand how to become more human, I have to study the Divine. I’ve learned that I have a choice, and I’ve made that choice.
I want to empower other people through literacy, and literacy places people on a path on which they, like me, will see that they have choices and are free to choose.
Literacy leads to freedom.
Now, even literacy can’t help you much if you’re starving. So I also support networks and organizations devoted to feeding the hungry. But give a person a fish and they eat for a day, right? Teach a person to fish… Teach. Teach. Teach. Language literacy. Media literacy. Cultural literacy. Political literacy. In the beginning was the Word, my brothers and sisters. Amen.
8. Tell us one thing about you that most people would be surprised to know.
Did you ever hear the song by The Who, “Don’t pretend that you know me ‘cause I don’t even know myself?” I mostly live in my own little dream world, telling myself a story in which I’m one of the good guys.
HEROES AND VILLAINS by The Beach Boys was the first record I ever bought. Then I had buyer’s remorse, snuck back into the record shop, put Heroes and Villains back on the shelf and picked up CARRIE ANN by The Hollies. A person working in the store saw me and told me what I had done was technically against the law and could be considered stealing, but she wouldn’t get me in trouble. I wonder if my whole worldview isn’t contained in that stupid little Beach Boys song.
9. Tell us what’s next for you, on the music front.
The same lineup of The Little Wretches that made UNDESIRABLES & ANARCHISTS is recording a collection of songs called RED BEETS & HORSERADISH. Lyrically, it consists of musical portraits and cinematography of the soul, songs about sick people, old people, crazy people, stubborn people. You know, just your basic fare about bitter suffering and salvation, paradoxically uplifting given the seriousness of the subjects.
The songs are awesome, and I can play all of them solo. Let’s face it, it isn’t realistic to expect the whole band to be able to tour right now, but I can go out all by myself and knock people out with these songs.
For UNDESIRABLES & ANARCHISTS, we were very tight and well-rehearsed. We had road-tested songs that had been shaped in battle, if I can get away with that metaphor. This time, we’re dealing with songs that we’ve not previously played or performed together.
John Carson’s bass and Mike Madden’s drums sound great. John Carson came up with bass lines far superior to anything I would have imagined. I hope people recognize what he’s contributed to this band. And Mike Madden is my Jim Keltner.
HK Hilner’s piano has yet to be recorded. I hope he turns some of these songs into something that would sound at home on The Rolling Stones’s BEGGARS BANQUET or LET IT BLEED.
Rosa Colucci hasn’t yet infused the project with her majesty. She’s the Joan Baez to my Bob Dylan, the Emmylou Harris to my Gram Parsons. And she has great percussion ideas.
I’m playing mostly acoustic guitars, and I’m very self conscious about my vocals. I’m not sure how to deliver the lyrics. I have decisions to make with my limited voice. I’ve got a whisper voice, a belter voice, a conversational voice. I have to figure out how to best deliver these lyrics, but I cringe at the sound of my own voice.
The one thing of which I am absolutely certain, though, is that these are great songs, and nobody but me could have written them.
10. What do you hope that people will think of when they hear the name Little Wretches?
“AMAZING GRACE, how sweet the sound that saved a wretch like me.” PSALM 23. I hope people think of our songs, BORN WITH A GIFT, THANKS FOR SAVING MY LIFE, THE TASTE OF DIRT. I hope people think of THE BEATITUDES. Blessed are the meek, the downtrodden, the poor in spirit, the persecuted, and The Little Wretches.
We’re thrilled to have you for an interview, Izzie! How has 2021 been treating you so far, all things considered?
A.) Hi there. Really glad to be here. In all honesty, it’s been a bit of a roller-coaster livin’ in the Covid world. Musically, though there’s been a very productive spillover from last year and we’re neck-deep in the recording and production of our upcoming album called ‘Blow The Lid’. Its on track for a June 15th release so we’re really excited about that. All in all, it’s been challenging but you gotta have a thick-skin to get through these times and making music sure helps at therapeutic level.
2. Your single “Return To Midway” is really heating up. I’ve heard it on several spotify playlists already. Are you surprised that it’s being so well received?
A.) Yeah this track in particular means a lot to me personally. We’ve actually had this song in the catalogue since 2006 but decided to bring it back in revamped version and associate it very proudly with the #restorethesnyderverse movement. Being a childhood DC fan, growing up with these iconic characters, and seeing them come to life on the screen with Zack Snyder’s Justice League was a surreal experience. At a more political level, whats more important to me is the preservation of artistic integrity and the vision of the artist should stand above corporate hijacking.
3. Do you feel like people “get” what you’re trying to do with your music?
A.) Honestly, from the inception of this project, I knew our backs were always going to be against the wall with how we approach music and what we create in this current musical climate. I tend to be very traditionalist in the sense that rock n’ roll and the blues were grounded in reality and there was a certain sense of, to use that word again, integrity about it where the entire song, the entire album, the entire process of it was the life-blood of the band…not some tik-tok clip that goes viral. Currently, we’re substituting music as an art form for the commercialised gimmick that needs to be sold and I’ve never bought into that mentality nor will I ever do so. I can’t subscribe to these pseudo-intellectual postmodern narratives that we’re held hostage by. To me I’d rather have a 100 people genuinely appreciate the music I make rather than having a million superficial ‘views’ or ‘likes’. I mean that sincerely. And the fact that record companies do their ‘head-hunting’ based on algorithms is in my estimation bloody lazy. Most of our songs hit the 5-minute mark with ease, including some of the ballads, that we’ve done, and I don’t really care whether thats not the acceptable standard. In ‘Blow The Lid’ we have an 18-minute song…yeah, that’s right…18-minutes, called ‘Curse of Anastasia’ and frankly speaking if that’s how long it takes to capture the spirit of the song, then that’s what we’ll do.
4. Growing up, who did you listen to? Do you still listen to those artists, or have your tastes changed as you’ve gotten older?
A.) Growing up I was really fortunate that my dad would be playing records by Dire Straits and Pink Floyd, and then of course listening to The Stones, Zeppelin, getting absolutely floored by the early Aerosmith records…Guns N Roses became the biggest thing and that was a fun era. So, rock n’ roll was always in my blood. But youthful naïveté obscured the fact that there was something way more powerful behind all these bands and that was the blues. Once I got into the blues, that changed my life. Buddy Guy, Johnny Winter, Lightnin’ Hopkins, Clapton, Stevie Ray…the list goes on and on. Absolutely life changing. I literally have Rory Gallagher cranked up right now and there’s just nothing better. This is life!
5. You took about a 6 month hiatus between releases, where we rarely heard anything from you. Where did you go?
A.) Let’s just say Covid hit home. Roque (bass) actually contracted it, quarantining, keeping low on the music front, keeping the day job alive. It’s tough being in this business and important to balance the rigours of real life with artistic pursuits.
6. What is one song that you never change when it comes on?
A.) That’s easy enough. ‘Dream On’ by Aerosmith, which to me personally is my greatest rock n’ roll song ever. Those early Aerosmith records mean everything to me…that power, raw energy of the blues. Absolutely fantastic stuff. I’d throw in Tom Petty’s ‘Runnin’ Down A Dream’ as well.
7. Tell us one thing about you that most people would be surprised to know.
A.) That I pursued my academic work in Philosophy and that’s still my other passion in life.
8. Tell us what’s next for you, on the music front.
A.) At this point of time, my entire focus is on getting this album done and getting it out there on June 15th. We’ve already released a bunch of these songs and it’s been awesome so far. ‘Return to Midway’ and ‘Blow The Lid’ – the title-track – both debuted really well on iTunes Blues. We’re also releasing lyrics videos for each song, possibly a couple of official videos if the situation allows, and spreading the good word out to the rock and blues fans who are looking for some new music in the traditional vein. Honestly though, with the way things are, I don’t see ourselves sitting idle for long and chances are right after the release of ‘Blow The Lid’, we’ll probably be back in the studio not long after that.
9. What do you hope that people will think of when they hear the name Izzie’s Caravan?
A.) I just hope people see us for holding true to our beliefs and the fact that we take real pride in our ability to create our art the way we want to. Like I said, we’re not here to smash any records or attend lame award shows that don’t even have any respect for the kind of music we play anymore. Often when someone comes to me and says “Man, this is really awesome…I cranked this up in the car” is the ultimate sense of satisfaction for me!
Mega TV’s “Mi Barrio” sketch show featured a xenophobic skit mocking COVID-19 with actors parodying the South Korean group.
Chilean TV network Mega issued an apology to BTS on Tuesday (April 13) following intense backlash over a COVID-19 sketch on the show Mi Barrio that featured actors parodying the South Korean group. According to the Korea Times, the racist, xenophobic skit that aired on Sunday (April 11) had five comedians dressed as BTS members, who introduced themselves as “Kim Jong Uno,” “Kim Jong Dos,” etc., speaking in mocking Korean accents, getting vaccinated and making inappropriate jokes about Asians and the novel coronavirus.
In reaction to the controversy — which unleashed a flood of angry tweets from the ARMY demanding an apology coupled with the hashtag #ElRacismoNoEsComedia (racism is not comedy) — the network issued a mea culpa on Tuesday (April 13). “On the controversy unleashed this weekend as a result of a sketch broadcast on the program Mi Barrio, Megamedia wishes to declare the following: humor helps people deal with the difficult moments of the pandemic that we are going through,” read a translation of the statement.
On the Billboard Pop Shop Podcast, we take a closer listen to the half-dozen “new” songs released as part of Swift’s re-recorded “Fearless (Taylor’s Version).”
We already knew Fearless was a classic project — after all, Taylor Swift won album of the year at the Grammys for her sophomore set — but what we didn’t know until this week was how many great songs were left on the cutting-room floor back when it was released in 2008.
Along with her new re-recording of the album, dubbed Fearless (Taylor’s Version), Swifties also got six never-before-released “From the Vault” songs. “You All Over Me,” featuring Maren Morris, and the rumor-mill-igniting “Mr. Perfectly Fine” came out first, and then the other four came out with the re-recording on Friday: “We Were Happy” (which includes Keith Urban background vocals); “That’s When,” featuring Urban; “Don’t You”; and “Bye Bye Baby.”
Jesse Christopher Atkinson is a 15-year music industry veteran. He’s an author, an activist, a marketing specialist, and a lecturer. He is also the CEO of Urban Threshold Enterprises Inc., and the founder of the Underground Music Awards and The A&R Power Summit. Moreover, Jesse Atkinson wrote the critically acclaimed, bestselling eBook “The Independent Music Grind.”
Urban Threshold has been a powerful force within the independent urban music scene for close to two decades. The company has emerged as one of the premier marketing/publicity firms for independent music artists and producers in the country. Urban Threshold has secured media placements for its clients in major media outlets such as XXL magazine, Hip Hop Weekly magazine, TheSource.com, Shade 45 Sirius/XM radio, AllHipHop.com, Billboard Magazine, Vlad TV Thisis50.com, etc.
In 2001, Mr. Atkinson created the acclaimed Underground Music Awards. The 15-year-old event has become the biggest and brightest award show for independent urban music artists in America. The UMA award show has received press from MTV, BET, The Source, Hot 97 and the village voice. Past winners of Urban Threshold’s Underground Music Awards include Nicki Minaj, (MGK) Machine Gun Kelly, Fred The Godson, J Cole, Joyner Lucas, Remy Ma, Styles P, and Papoose among others.
In addition to honoring the future stars, the UMA’s also pay homage to the legends. Past honorees include Hip-Hop legends like RUN DMC, Whodini, Ice T, Naughty By Nature, EPMD, Slick Rick, Grandmaster Flash, DJ Red Alert, DJ Kid Capri, Kool G Rap, and M.O.P.
Equally important, in 2001, Jesse Atkinson founded The A&R Power Summit seminar series. The illustrious A&R Power Summit’s comprehensive program schedule of panels, workshops, and music listening sessions address the important issues affecting the music industry today. The A&R Power Summit offers lively moderators, diverse participants, in depth discussions, fantastic performances and spirited debates.
Jesse Atkinson grew up in the Bronx, NY, the birthplace of Hip Hop. Music has always been part of his life. He attended Pace University, where he studied finance and marketing. After college, he worked on Wall Street for over 20 years as an account executive. He had long stints at Oppenheimer & Co. and A.G. Edwards and sons.
Jesse Atkinson is a visionary. He is laying down the foundation for the creation of an Independent Artist Stock Exchange, whereby independent music artists and producers can sell shares in their brands and raise investment capital for their movements. This will be a great opportunity for investors to get involved with an artist at the ground level before he or she reaches superstar status. As well, Jesse Atkinson created a one of a kind award show called The Urban Producer Awards. The slogan is “create a beat and produce a legacy.” The philosophical tag line is “Live The Moment. Live The Beat.” The Urban Producer Awards program honors the often-unrecognized music producers within the urban music marketplace. According to Jesse Atkinson, “today’s urban music producers are the modern day Beethovens, Mozarts, Bachs and Tchalkovskies.”
Metal band Gojira has released another new song from their upcoming album, Fortitude, due April 30 on Roadrunner Records.
“Into the Storm” arrived on April 12, and will serve as Fortitude‘s fourth single. In a release, vocalist-guitarist Joe Duplantier said of the track, “This song is infused with the concept of civil disobedience. Acting accordingly with our deepest wisdom and standing for what is precious and good in this world. The only possible revolution is the one that blossoms from within us. Change will come from individuals. Laws are meant to be bent and shaped to our vital needs. Laws will follow!”
Gojira recently released “Another World,” “Born for One Thing” and “Amazonia,” which will all appear on Fortitude. “Amazonia,” which arrived March 26, is serving a dual purpose: raising awareness about the environmental crisis in the Amazon and promoting a fundraising auction the band has launched in support of the Articulation of Indigenous Peoples of Brazil, which works to indigenous peoples against threats to their rights, according to the AIPB’s website.
Demi Lovato’s comedy series about a group of people with eating disorders is getting a pilot order at NBC.
The singer-actress is set to star and executive produce the project, titled Hungry, which follows “friends who belong to a food issues group and help each other as they look for love, success and the perfect thing in the fridge that’s going to make it all better.
“Other executive producers on the single-camera comedy include Sean Hayes, Todd Milliner, Scooter Braun, Scott Manson and James Shin.
Concerts are back big time! Well, at least online. There’s no shortage of livestream concerts to check out this week, with major artists preparing to entertain fans at home.
Among the music stars set to perform is Justin Bieber, who has not one but two performances scheduled. He’ll do one set live from Paris on Tuesday, and another performance alongside the likes of Doja Cat, The Black Keys, Saweetie and more from Atlanta for Triller’s Fight Club on Saturday. Weezer and 311 both have live concerts set for Friday, while Radiohead will be sharing an as yet unannounced archival show that day. For those looking for something a bit harder, Maynard James Keenan’s Puscifer is marking the frontman’s birthday with a performance of Money $hot.
See which other artists are set to put on virtual events this week in the roundup below. We’ll update the list as shows are announced.ARTIST MENTIONEDJustin Bieber
